Auction House

Auction: Old Master Paintings

03. December 2024, 2:00 pm

Object overview
Object

2061

„Landscape with horsemen (raid)“
1660
oil on canvas; framed
60 x 82.5 cm
signed and dated in the centre of the lower edge: SVRuysdael / 1660 (SVR in ligature)

Provenance

auction in Amsterdam 13 June 1770;
auction of the collection Pieter Locquet in Amsterdam 22 September 1783, no. 320;
auction Amsterdam 13 July 1812;
Kunstsalon Keller und Reiner, Berlin, auction of the collection Paul Mersch (Paris) 1-2 March 1905, no. 63, pl. 17;
Galerie Georges Petit, Paris, auction of the collection Maurice Kann, 9 June 1911, no. 96;
Galerie Thomas Agnew, London 1957;
art dealer J. R. Bier, Haarlem, cat. 1960, no. 21;
art dealer Nijstad, The Hague, 1964;
private property, Austria

Exhibition

Tokyo, 19 October - 22 December 1968, National Museum of Western Art, no. 58

Literature

Wolfgang Stechow, Salomon van Ruysdael. Eine Einführung in seine Kunst. with critical catalogue of the paintings, Berlin 1975², p. 87, no. 128;
Wolfgang Stechow, Salomon van Ruysdael. Eine Einführung in seine Kunst. with a critical catalogue of his paintings, Berlin 1938, p. 82, no. 128

Estimate: € 18.000 - 36.000
Realized price: € 25.600 (incl. fees and Austrian VAT)
Hammer Price: € 20.000
Auction is closed.

In this picturesque landscape painting from 1660, a small group of cows is being led along a flooded path. At their front are three horsemen dragging two captured peasants – the herd taken from them is held together by two other soldiers. As a historical document, the scene highlights social problems of its time: though it appears idyllic at first glance, its theme has prompted the work to be recorded as a depiction of a “raid” in the past. Another comparable work by Ruysdael shows "Cows at the Drinking Trough" herded by soldiers and is dated 1656. (cf. Stechow 1975, no. 123A)

One of the animals has bent its head to drink from the pool. The water itself reflects the rays of light from the sky streaked with sun and clouds and skilfully mirrors the silhouettes of the animals passing by. Another cattle train led by two riders can be recognised in the left middle ground. The trees lining the path provide a view of a large village church with a square tower in the background – the location was identified in the 1770 catalogue as the present-day town of Wassenaar. Set against the characteristically low horizon, the landscape shows the stylistic development of Salomon van Ruysdael's late work: in contrast to the tonal painting of the 1630s, he began to use more contrasting colours and to fill the pictorial space with more expressive elements. For example, the sky is depicted in richer and deeper shades of blue, with voluminous elements such as trees sculpting the middle and foreground of the composition. His brushstrokes also became broader and rougher, giving the late paintings a more dramatic, soulful character.